Some celebs are busy writing their “I’m so honored” speeches, and others are probably rehearsing their gracious loser face (you know, the classic smile-and-clap-through-the-tears move). Yes, we’re talking about the 97th Academy Awards!
So, who’s getting the golden statue, and who’s going home with just a gift bag and bruised ego? Let’s break it down!
Christopher Nolan’s “Oppenheimer” has been the frontrunner since it exploded at the box office (pun intended). Critics are obsessed, and let’s be real, the Academy loves a serious historical drama with lots of brooding male stares.
But wait—Greta Gerwig’s “Barbie” is still in the game! With its billion-dollar box office run and a cultural impact that turned every wardrobe pink, could “Barbie” pull an upset? Or will the Academy be like, “Cute, but let’s give it to the sad scientist movie”?
Cillian Murphy (Oppenheimer) is basically a lock for this one. The Irish actor went full method, lost weight, and stared dramatically into the abyss like a true Oscar-winning legend.
His toughest competition? Bradley Cooper in “Maestro.” If we know anything about the Academy, they love a transformation, and Cooper went ALL IN as Leonard Bernstein (prosthetic nose and all).
Now this is a dogfight!
Emma Stone (Poor Things) went full chaotic-energy, playing a resurrected woman discovering life’s weirdest pleasures (yes, that includes food and… other things).
Lily Gladstone (Killers of the Flower Moon) gave a performance so powerful that even Martin Scorsese had to step back and let her shine.
And then there’s Margot Robbie, who became the face of feminism in a pink convertible.
Nolan (Oppenheimer) spent decades perfecting this brain-melting historical epic.
Greta Gerwig (Barbie) turned a plastic doll movie into a cultural phenomenon.
Scorsese (Killers of the Flower Moon) brought a haunting true story to life in his classic style.
But let’s be honest—Nolan is due for an Oscar (the Academy still owes him for Inception and Dunkirk).
Prediction: Nolan finally wins, and film bros everywhere rejoice.
The Snubs & Wildcards
Ryan Gosling’s “Ken” performance? Nominated, but unlikely to win (unless we create a Best Supporting Scene-Stealer category).
Taylor Swift’s documentary? Sorry, Swifties—maybe next year.
Leonardo DiCaprio? No nomination this time. But don’t worry, he’ll get another shot at an Oscar in a decade or two when he’s dating someone born in 2025.
While Oppenheimer is the heavy favorite, don’t count out Barbie and Killers of the Flower Moon for major wins. And as always, expect surprises, long speeches, and at least one actor pretending they “didn’t prepare a speech” (yeah right).
The Oscars 2025 air on March 2, so get your popcorn, your Twitter/X reactions ready, and may the best Hollywood elite win!